Category Archives: Security

History, Security

American Distrust in Press: Deadly 1830s Cancel Culture

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As I read current news from the press about America losing trust in news, I am reminded of the long history of this issue.

One of the more tragic stories is this one from 1837:

Elijah Lovejoy was a reverend and printer in Alton, Illinois, in the 1830s. He was the editor for the Alton Observer, a religious newspaper with a pro-abolition stance. His journey to Alton was not a smooth one. He had three printing presses destroyed before he settled in Alton—all three times the vandalism was in response to abolitionist editorials in his newspaper. On November 7th, 1837, a mob gathered outside of the warehouse that held his printing press. After exchanging gunfire with the crowd, Lovejoy was killed and his press was destroyed a fourth and final time. He was buried on November 9th, what would have been his 35th birthday.

Americans destroyed Lovejoy’s press four times in deadly “cancel culture” mobs, murdering him in the last attack.

Lovejoy had been forced to Move to Alton, Illinois after his paper in 1836 dared to publish a drawing and describe a lynching in St. Louis, Missouri. A white mob had chained a free black man to a stake and then threw stones at him as they burned him alive.

Leaders of the Missouri city objected to anyone reporting these events as fact. Lovejoy not only reported it in detail, also he asserted that while a man may deserve to die only savages would dance around their victim while the fire did the work. For this Lovejoy’s press was destroyed by the men he labeled savages, and he was forced out of Missouri.

Elijah Lovejoy’s building in Alton, Illinois. Source: Missouri Historical Society Collections.

Lovejoy had prepared himself with nearly 20 defenders in an Alton, Illinois building made of stone, just across the river from St. Louis. His new press was guarded with guns (as explicitly authorized by the Mayor), yet an angry white nationalist mob swarmed in to shoot him dead.

“Burn ’em out,” someone outside shouted. “Shoot every damned abolitionist as he leaves.” When men with torches climbed onto the roof, defenders of the press opened fire, killing one rioter and forcing others to retreat. In the eerie quiet, editor Elijah P. Lovejoy stepped outside for a look. Five shots [from attackers hiding in a wood pile nearby] riddled him. “Oh God, I am shot,” he said as he fell.

The press of liberty and freedom was so hated by the lawless mob it set about to destroy the heavy machinery by dumping it into a river instead of just printing something else.

The mob reportedly threw his press, which weighed nearly half a ton, into the river near the warehouse where the Ardent Mills flour mill is located today.

You might have gathered the police didn’t intervene. You might also have figured out also that nobody, not a single attacker, was held responsible. Officials in Illinois and even newspapers went mostly quiet.

There was one very notable exception by a twenty-eight year old representative of the state who spoke out against lawlessness destroying freedom of speech — vigorously denouncing mobs that “throw printing presses into rivers, shoot editors”.

His name was Abraham Lincoln.

Twenty years later in 1857 Lincoln also would write in a private letter how significant this event was for American history.

Lovejoy’s tragic death for freedom in every sense marked his sad ending as the most important single event that ever happened in the new world.

Thus 1837 seems crucial to study and understand. The violent mob tactics in 1830s mirror behavior of extremist white nationalist groups today who attack modern liberty movements (e.g. BLM) and who try to undermine trust in the press.

Security

Irregular Tech for Irregular Warfare: AWD Motorcycles

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War on the Rocks has published a superb article on Irregular Warfare under an image of a Christini 300 AWD motorcycle.

Christini 300 in the field. Source: WOR

I suppose you could call a motorcycle 2WD, yet that doesn’t do the concept justice. The wheels aren’t just both being powered at the same time to turn simultaneously. AWD means ensuring every wheel can be engaged with power as authorized.

The image serves as a great analogy, solving the “missing half” of power, which becomes the whole theme of the article:

…United States does not have the luxury of ignoring how China and Russia are advancing their interests in the gray zone short of armed conflict. Irregular warfare accounts for the missing half of strategic competition — information warfare, ambiguous or denied proxy operations, and subversion.

The list of five recommendations are excellent:

  1. Beyond “Center of Gravity” to “Strategic Levers”
  2. Elevate “Simultaneity” to “Concurrent Effects”
  3. Adding “Narrative,” or Shaping Information to Attain Influence
  4. Enabling with “Empowerment,” or the Right Tools to Wield Influence
  5. An Irregular Upgrade for 21st-Century Strategic Competition

For example, just to keep the Christini AWD motorcycle analogy going as long as possible, “simultaneity” means having 2WD instead of AWD. All the wheels turning at the same time in 2WD (or 4WD for that matter) is easier to engineer yet gives much worse actual traction versus all wheels with traction being authorized the power needed to turn. How’s that for narrative?

My only complaint is while they emphasize the way forward as an evolution instead of revolution, they start from Operational Design in 2010 instead of OSS lessons from WWII (“birth of modern American information warfare”). Earlier references might help point to an American capability for irregular power that is faster than and better executed than both allies and enemies.

Security

Is Tesla an Elaborate Scam?

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More and more experts are joining to denounce Tesla’s marketing as dangerously misleading.

In that vein this might be one of my favorite denunciation paragraphs so far:

…the guy in the passenger seat is such a constant and unflappable apologist, to the point where if the Tesla attacked and mowed down a litter of kittens he’d praise it for its excellent ability to track a small target.

That comment is based on a “beta” video of Tesla’s “autopilot”, captured here by a mini documentary about alleged market-leading statements made by the CEO:

Here’s another view on the problem, from a drone setup by a human guinea pig trying unsuccessfully to get across an intersection in a “Full Self-Driving” (FSD) Tesla.

Notice the truck in a completely different position on the sensor view versus where the drone has it placed at the exact same time.

And in this scene, the guinea pig has to slam the brakes on several different attempts as he finally ends up saying “stop, STOP! Aaagghh… I couldn’t let it go…” as Tesla engineering was about to launch him directly into oncoming cars it didn’t see including a large truck towing a boat.

Perhaps insurance companies will mandate all Tesla guinea pigs fly a safety drone for evidence of fault collection that is real, versus the obvious low integrity of a Tesla.

History, Poetry, Security

Decoding “The Big Revival”: Nazi Themes in Country Music

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Have you seen this comedy video about hidden meanings in country music?

It’s pretty funny but also sad how true this is.

For example while I was relaxing on an airplane trying to sleep with the country channel on, a song called “The Big Revival” woke me straight up. It almost immediately reminded me of the kind of racial trigger words I used to hear in rural Kansas.

A quick check of its history revealed its author was a reclusive Dennis Linde, originally from Texas.

He was the quintessential mystery man of Nashville because he didn’t go to all the functions,” Scott Siman, an artist manager who had known Linde since the 1970s, told The Tennessean newspaper. “If you ever saw Dennis Linde it was amazing, because you didn’t get that opportunity very often.

A mystery man. Interesting. You may have read some of my earlier posts on encoding messages in songs (e.g. Kumbaya and Atilla).

Also see “Ten Factors that Encourage Extremism”

…extremist tendencies are able to develop codes of communication that are difficult for outsiders to understand…

This song seems like another case of encoding, but it’s very vague and I don’t know if I can achieve the comedy genius of Key & Peele in explaining what I hear.

Get ready for the big revival
Get ready for the big revival

Get ready for the big revival
Everybody get in the van
There’s a little church on Eagle Mountain
It’s called The Blood of the Blessed Land
If your faith ain’t strong enough, child, you might wind up dead
Praise the Lord and pass me a Copperhead

Now Reverend Jones, he struts and dances
While the guitar plays Amazing Grace
He testifies in tongues of fire
With tears of joy running down his face
He ain’t sure and we ain’t sure exactly what he said
But praise the Lord and pass me a Copperhead

You won’t find many hypocrites that’ll take the chance on getting bit
But a true believer can survive rattlesnakes and cyanide

Now when you hold that deadly viper
Keep the holy spirit in your mind
Do not lose your concentration
That serpent’s surely bound to strike
Either way you won’t forget the first time that you said
Praise the Lord and pass me a Copperhead
Praise the Lord and pass me a Copperhead

Here are the clues I started picking at, which as I said reminded me of triggers I heard in rural Kansas:

  • little church on Eagle Mountain
  • It’s called The Blood of the Blessed Land
  • faith ain’t strong enough, child, you might wind up dead
  • pass me a Copperhead
  • testifies in tongues of fire
  • ain’t sure exactly what he said
  • hypocrites that’ll take the chance on getting bit
  • But a true believer can survive rattlesnakes and cyanide
  • hold that deadly viper

“little church on Eagle Mountain”

There’s really no reference or context for an eagle in this song perhaps other than to evoke patriotism and pride. Unfortunately mountain, as the modifier, doesn’t seem like it would come from some innocent place like a bald eagle on purple mountain (far better phrasing if you ask me). The next line talking about blood really cements it for me as German and therefore classic encoding. Kehlsteinhaus (Eagle’s Nest) is the house on top of a mountain in Bavaria where Hitler entertained guests.

“It’s called The Blood of the Blessed Land”

Blut and boden (blood and soil) is how white supremacists make claim to be more connected to the land than any other races. So an eagle mountain church called blood of the blessed land is quite literally the very common symbolism invoked by white supremacists based on Nazi history.

“faith ain’t strong enough, child, you might wind up dead”

The penalty for being unfaithful to the cause is execution. Capitol punishment has and continues to be very clearly racist.

“pass me a Copperhead”

My first thought here was the old copperhead balls that we used to shoot in the empty spaces around Fort Riley, yet that seemed too obscure while also maybe from the same deeper reference.

Rummaging through history I quickly realized pro-slavery Democrats in the 1860s who opposed American Civil War and wanted immediate truce with a Confederate South, were called a Copperhead.

Copperhead, also called Peace Democrat, during the American Civil War, pejoratively, any citizen in the North who opposed the war policy and advocated restoration of the Union through a negotiated settlement with the South. The word Copperhead was first so used by the New York Tribune on July 20, 1861, in reference to the snake that sneaks and strikes without warning.

That sounds a lot like Americans who sided with Nazi Germany in WWII and demanded peace be negotiated as quickly as possible with Hitler (calling themselves “America First“), or a lot like the Americans who sided with Germany in WWI and demanded non-intervention (calling themselves “America First”). In case that isn’t obvious, “America First” meant KKK before 1929 and Nazism/KKK after — Copperhead predates them all.

The key here is that the Copperhead platform opposed Republican president Lincoln because of what they termed “an unconstitutional war against slavery”. Moreover, Lincoln called Copperheads a grave threat.

In January 1863, Abraham Lincoln made a remarkable confession. He was, he told a senator, more worried about “the fire in the rear” than he was about the Confederates to his front.

Remember tongues of fire (it’s coming next)?! Fire in the rear were Copperheads.

It turns out a Democratic Congressman of Ohio named Clement L. Vallandigham became known for his anti-federal Copperhead speeches of 1863 where he falsely alleged Republicans had gone to war to enslave the whites. Sounds crazy, right?

Commander of the Ohio military, General Ambrose Burnside, arrested Vallandigham on fairly obvious grounds of treasonous behavior (“declaring sympathies for the enemy”).

This might be a good moment to also point out Vallandigham accidentally shot himself while trying to prove that someone could not accidentally shoot themselves. He was… an idiot.

If that vignette doesn’t explain how crazy a Copperhead was with their tongues of fire, and how it ended up so connected in this song with wackos who obsess about the eagle mountain blood and soil, I’m not sure what does.

Moreover white supremacists today refer to themselves as “Constitutionalists” or similar to Copperheads, so this period in history could come to mind. The Copperheads argued the South could never be conquered and ran slogans like “The Union as it was, Constitution as it is”.

Here are the exact words from a 1863 Copperhead speech by the Hon. C.L. Vallandigham where you can see him tell the absurd lie that America would enslave whites if they didn’t enslave blacks.

vallandigham-speech

“Pass me a Copperhead” is surely the flag of white insecurity.

“testifies in tongues of fire”

As I said above, this seems to be validation it’s about Valladigham attacking President Lincoln. Just before the fire comes Amazing Grace, an historic “revival” song used for background and a setup to the fire. These combinations of phrases and words have powerful association to tragedy in the 1800s.

‘Amazing Grace’ would have spoken to [slave] desire for an experience of freedom, of one day seeing God face-to-face, of one day being with him for all of eternity, and no longer subjected to the type of cruel treatment they experienced during slavery.

“ain’t sure exactly what he said”

Oath of silence and vagueness to the fiery events. No one can testify to what happened. This even gets to the point of “Know Nothings” (before 1855 calling themselves the Native American Party, American Party after) — an extremist “nativism” political party by white immigrants that used secret society (e.g. KKK “hidden empire”) to oppose immigration of other races.

“hypocrites that’ll take the chance on getting bit”

Again emphasizing you’re either in the group, a follower, or you are dead.

“But a true believer can survive rattlesnakes and cyanide”

This line really cements the Nazism. While an eagle mountain of blood and soil may seem the most obvious call-outs to Nazism, cyanide is completely over the top. Why cyanide? No way it is random. Of all the things to put into a song about revival… in the 1920s cyanide was used to kill Americans using gas chamber.

Washington, Arizona, and Oregon in 1919-20 reinstated the death penalty. In 1924, the first execution by cyanide gas took place in Nevada… a special “gas chamber” was hastily built.

Those three states in 1919 saw a HUGE rise in KKK activity. It was not a coincidence, as I said above about the racism of capitol punishment, that KKK were taking control of a state and using cyanide gas chambers to kill non-whites.

Zyklon B had become available in the U.S.A. in the early 1920s when fears of alien infection had been inflamed by the alarums of the eugenicists. […] The use of Zyklon B on the U.S.-Mexican border was a matter of keen interest to the firm of DEGESCH. In 1938, Dr. Gerhard Peters called for its use in German Desinfektionskammern. […] Peters went on to become the managing director of DEGESCH, which handled the supply of Zyklon B for the Nazi death camps.

The Nazis in 1940s used Zyklon B cyanide to murder 1 million people.

Again, we have a song here saying eagle mountain, blood and soil, and believers survive cyanide. It’s a trifecta of Nazism on top of the odious Copperhead background. How is this song not titled “Get Ready for the Fourth Reich”?

“hold that deadly viper”

This reinforces for me that the danger of a copperhead is being used in the context of a particular purpose, leveraged even, as a necessary evil to test true faith. As hard as I tried to flip the whole story and see some kind of positive story of surviving against threats of generic danger, the words just don’t add up that way for me and instead sound like a celebration of Nazism (which, let’s be honest, was ideologically similar to Copperheads).

Maybe you’ll have more luck and can decode it further or more accurately. To me, we have a popular song in America basically trying to invoke white nationalism.

To test my theory I listened to many versions of this song. Here’s a 2008 release:

On the airline radio I first heard it played by Kenny Chesney:

That’s an awfully strange looking bus in the image for a white nationalist tune.

Suddenly I felt like maybe I had the song wrong. Peace symbols? This guy looks like he’s into love and happiness (to be fair that’s exactly the disinformation Nazis broadcast on radio telling their targets to drop their arms… right before invasion).

So I went and found the video featuring that bus. It’s in a song called American Kids… that talks about America coast to coast etc as if representing all the kids while having only whites in the video.

Only whites.

You can’t make this stuff up. The cast is so white, so painfully not like America, I had to watch it twice just to be sure there was absolutely no other race but whites represented in a video claiming to be for all the “American Kids”.

It’s actually creepy how the video also seems to suggest American Kids worship that singer.

And just by way of comparison, I have to throw out a positive example of a “snake” video that shows what something purporting to represent “American Kids” could have done; a bus can be so much more with crowds dancing and singing around each other in a distributed manner (note this internationally diverse video is the 20th most watched on YouTube with over 3 billion views).

As I said at the start Key & Peele do a far better job at laying out the obvious racism in country music than I have done here.

But I can tell you as someone who has spent a lot of time studying triggers and encoding, as well as KKK history, when I was half-asleep listening to the radio these rather peculiar song lyrics woke me straight up.

“The Big Revival” had me immediately wondering who would write out such known white supremacist imagery under a title invoking things like rise of the KKK and rebellion against the United States. And on that note, the most curious part might be that it was written by a guy who wrote what other people wanted, remaining hidden and reclusive.

It all reminds me of the encoded racism of Ronald Reagan, as I’ve written about here before, and more specifically how Lee Atwater (Advisor to Reagan, campaign Manager to GHW Bush, Chairman National Republican Committee) described Reagan’s strategy to attack Americans:

You start out in 1954 by saying, “Nigger, nigger, nigger.” By 1968 you can’t say “nigger”—that hurts you, backfires. So you say stuff like, uh, forced busing, states’ rights, and all that stuff, and you’re getting so abstract. Now, you’re talking about cutting taxes, and all these things you’re talking about are totally economic things and a byproduct of them is, blacks get hurt worse than whites … “We want to cut this,” is much more abstract than even the busing thing, uh, and a hell of a lot more abstract than “Nigger, nigger.”

Now be honest, how many of you realized “cut taxes” was Reagan’s way of getting away with saying “nigger” by not saying it?