At the Edge of the Abyss

Tablet Magazine has posted a book review for a new English version of At the Edge of the Abyss: A Concentration Camp Diary, 1943-1944.

Three things mark At the Edge of the Abyss as an utterly distinctive and unique work of Holocaust literature that must be read now that an English-language translation exists. First, the insider account of a camp; second, Koker’s literary and analytic abilities; and third, the only first-person report of an encounter between a Jew and Heinrich Himmler, head Nazi and overseer of all the camps.

[…]

Somehow, Koker also finds beauty inside the physical landscape of the camp. From one poem dated May 17, 1943: “The evening air so pure and intimate/ A sky that’s hazed in whiteness by the sun/ and trees with foliage in great profusion/ with glittering flecks of silver from the sun.” He is also occasionally magnificently insightful. Jan. 6, 1944: “The goal is neither happiness nor unhappiness. It’s the unfolding of human potential. The development of that piece of the universe that you represent, as it were, even when it happens at the expense of what people call the self and their own welfare. Actually, it always happens at their expense. By feeling a lot we expand the world.”

One of the interesting aspects of the story is how the diary survived. The original documents have been digitised and can be found online at the Koninklijke Bibliotheek, GeheugenVanNederland

Oorlogsdagboek van Koker, David

Ubuntu 12.04 LTS released

I can’t say I’m fond of the Ubuntu move to a HUD (Head-Up Display), yet.

I’m still getting used to the “Dash home” search box that becomes only intermittently available (e.g. disappears over time after switching a laptop to different external monitors while running VMware Workstation in full screen mode). What happens when you lose your HUD…?

HUDless

On really large monitors, if your HUD decides to appear, it mockingly sits stuck to the upper left corner forcing you to constantly be running your focus back-and-forth across the screen(s). Menus on dual or quad 24″ screens used to be so convenient but the HUD is often far away from where you naturally look.

Another serious concern is that you have to constantly use an input field to find data. You have the problem of typing accidentally and exposing info, being fooled by a bogus HUD, having the HUD log monitored or mined…I haven’t seen anyone discussing the privacy implications of the input.

That being said, Ubuntu has announced the general availability of 12.04 LTS. It’s the logical progression from 10.04 LTS for servers that have no graphical interface but the desktop path may be less clear.

I have seen the direction Ubuntu is taking discussed as though someone is removing our wheels and telling us to fly before they have fully attached the wings. Who is really driving this thing? And then Gnome3 classic on Ubuntu 12.04 LTS isn’t classic so switching back isn’t a full option.

Meanwhile LinuxMint continues to give an experience more in-line with what people are used to, without proselyting a UI. Ever wonder why DuckDuckGo has suddenly become so popular? It’s the default search engine on LinuxMint so maybe, just maybe, it reflects popularity of an OS with the classic menus?

It seems like a good time to wait and see how Ubuntu polishes their story and the interface. It might not be long before we say “there goes the HUD”. Note, there’s at least one other good reason to wait: after upgrading to Ubuntu 12.04 LTS, VMware Workstation 8.0.2 needs a vmware802fixlinux320.tar.gz patch to run again.

On a slightly related note, my impression of 12.04 has shifted after Shuttleworth’s comments on HUD. At first I was caught up in the heat of the moment from a new LTS release and new features…so I whipped up a little pangolin bling based on the 12.04 wallpapers. Here’s my initial remix of one of the (un)official selections:

Then, after a month or so of fighting with the intermittent Dash Home errors and developing workarounds for the new UI, I found myself thinking about a very different pangolin picture.

Bitter Seeds

Bitter Seeds PosterBitter Seeds is Peled’s third film in a trilogy on globalisation. It explores the risks faced by Indian cotton farmers caught up in a genetically modified seed program by Monsanto. The movie follows a farmer’s daughter as she tries to expose the story of her father’s death.

Farmers unable to get bank loans instead try to borrow illegally but they take on high interest rates. Then they struggle to overcome low yields coupled with expensive seeds that need for even more expensive fertilizer and water. The traditionally stable means of living becomes a financial gamble that the farmers realise they can’t win; they then kill themselves to escape an inevitable loss of pride.

Monsanto’s pesticide is said to be a direct cause of death in hundreds of thousands of farmer suicides.

Part One: Store Wars – When Wal-Mart Comes to Town
Part Two: China Blue